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Wondrous is the Silence of My Master

In 19th-century Montenegro, a fading poet-leader seeks a cure in Italy, while his loyal servant Djuko wrestles with devotion, envy, and a looming sense of loss.

FeatureLab 2020
Main info

Title: Wondrous is the Silence of My Master
Year: 2025
Directed by: Ivan Salatić
Premiere & awards: Rotterdam International Film Festival 2025
Produced by: Meander Film (Montenegro)
In co-production with: Nightswim (Italy), Bocalupo Films (France), Dinaridi Film (Croatia), Non-Aligned Films (Serbia),
Countries: Montenegro, Italy, France, Croatia, Serbia

synopsis

In 19th-century Montenegro, tribes led by a poet and a bishop named Morlak are locked in an age-old struggle against a common enemy. When Morlak falls gravely ill, he sets out in search of a cure, leaving behind his war-torn homeland. Along with his daughter and two loyal servants, Morlak settles in a remote house in southern Italy, hoping for healing and peace. Torn between duty and homesickness, his most devoted companion Djuko, is consumed by a deep sense of nostalgia, paranoia and fear. Grappling with the looming prospect of his Master's death far from home and an increasing feeling of jealousy when Morlak grows closer to a visiting scholar, Djuko's mind begins to unravel, pushing him to the limits of his endurance and imagination. Djuko’s jealousy erupts into violence as Morlak’s return home signals the end of his reign.

Director’statement

My intention is to create a possible view of the 19th century Mediterranean. The main character is inspired by 19th century ruler, bishop and poet Petar Petrović Njegoš, with a focus on the poetic and solitary side of his personality. I am interested in the conflict between that tender side of him and the circumstances in Montenegro during his time, which were cruel. The film is divided into five segments, the first and the last represent a paraphrase of historical event. Then we move on to two stories, similar in their scope, each of them with its own protagonist fighting the prejudice and the superstition of their time. Then we have a story about Morlak, that is free from the limits of biographic portraiture, placing the focus on the characters surrounding the ruler and allowing the viewer to dive into the past, to imagine the flow of time of an ordinary person whose heart and hours beat simultaneously with the history that will later be described in books or archival documents.

TFL Project:


Title: Melting of the Ruler

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TFL Catalogue 2020

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