Fabio needs to break free from an idea that haunts him: his strict idea of what a director should be and the role of political theatre for the transformation of society. Hiding behind his orthodox method, detached from the world around him, he forgot the feeling that led him to be a director. His endless research process is the symptom of a fear he will need to face.
Incorporating elements from farce and comedy of errors to its satiric logic, Psycography values eccentricity, surprising revelations and the irony of human behavior. The narrative is led by a dry sarcastic tone. Slow-paced and explosive moments alternate, using rhythm to enhance its humor. Suspense and supernatural phenomena are explored to create a zone of transit between the living and the dead. Psycography is structured as a self-reflexive film, where the transformations that the play directed by Fabio goes through are a reflection of the internal transformations lived by the character.
Hired by his inexperienced producer, contacting the spirit of his hero, working with non-actors, becoming involved in their struggles, learning their frailties and getting in touch with his feelings, Fabio will exorcise an idea to be given back his vocation.