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Small Country

Buenos Aires, 1999. In a gated community, a family faces the cost of life in an artificial paradise.

synopsis

On the verge of Argentina’s 2001 crisis, Javier, a young engineer, lives with his family in an elite gated community outside Buenos Aires. When Javier loses his job, he lies, pretending he still goes to work, but struggles with maintaining the status quo for his family. He misses a simpler life. Julia, his wife, lives her own fantasy as a realtor and president of the neighbourhood’s charity. Their 7-year-old daughter Agustina is being raised by the maids and has recurrent anxiety attacks. Their 15-year-old son Federico tries to fit in with his group of bullying adolescent friends. A growing settlement of poor people on the other side of the fence causes fear of a pending “invasion”. While the gated community begins defence protocols, Javier has to decide where he stands and what he is willing to do for his family and their home. "Small Country" is a tale of opulence, fear and paranoia during one of the most absurd and crazy times of Argentina’s recent history.

Director’statement

I spent my weekends as a kid in a gated community in the countryside outside of Buenos Aires. My family built a house, dreaming of calm and security. Instead, we found that the place was a refuge for white-collar thieves and drug dealers. I used to play football with their sons, who are now the new generation of CEOs and politicians. They are part of the conservative right who want Argentina to be based on an ethos of “every man for himself”. We are facing an economic crisis similar to that of 2001. It is as if we were a society with no memory. "Small Country" is a chronicle of a grim and absurd era in Argentina’s history, a deeply personal project. Moments of magic realism, static and stripped family relationships, great pressure to belong and a constant paranoia. It is a reference to “small town, big hell”. I am curious about small societies, seemingly harmonious but containing deep human misery. This curiosity is the spine of my authorship. I would like to inspire an examination of the past – a wake-up call to reimagine the future.

TFL PROGRAMME:
ScriptLab 2020
Discover more details here:
Download
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TFL Catalogue 2020

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