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Eliza

A darkly comic-drama about a boy who discovers his beloved mother is on the wrong side of history.

synopsis

Eliza is a contemporary darkly comic drama exploring the nature of everyday evil through the relationship between Eliza (40) and her son Benny (15). The story takes place in an imagined nation ruled by a fascist regime. There is a constant threat of war, propaganda-fuelled media, and a popular belief that ‘sticking out’ the hardships of today will lead to a brighter tomorrow - along with universal nostalgia for the fashion and music of the 1980s. Despite the hardships, Eliza is warm, caring, and loved by her colleagues at the local police station. She prides herself on being ‘good’ and is devoted to her thoughtful - if troubled - son, Benny, who at 15 still wets the bed. Her deepest hope is that he will become a ‘decent’ man. So, when she finds out that he has beaten up a classmate, her world begins to crumble. Has she raised a monster? It is only after this event that we see Benny’s perspective - drastically different from his mother’s. Benny begins to ask questions; not only interrogating the rules of the world he lives in, but also the true nature of his beloved mother. When a misfit construction worker from Benny’s after-school job is brutalised by the police, he begins to wonder whether his mother was present and what influence she may have had.

Director’statement

How does a ‘normal’ person become complicit in evil? How should we judge them? What if it’s someone you love? Eliza is inspired by the current situation in Russia where families are falling apart over different attitudes towards the crimes Russia is committing in Ukraine and among their own population. This situation is personal to me, as I have family in both Russia and Ukraine. Eliza follows 15-year-old Benny who idealises his mother until he learns that she is not who he thought she was. Mirroring his experience, I want to take the audience on a journey where they deeply care and root for Eliza until they learn that Eliza is going too far in servicing the regime’s edicts. The moment where we watch Eliza make a horrible moral choice during a police interrogation should be heart-breaking for the audience. In an important way, they have become complicit in it. I want Eliza to be a gripping and entertaining ride, showing the full spectrum of life, from beauty, humour and absurdity all the way to darkness and horror.

TFL PROGRAMME:
ScriptLab 2023

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